Why are full frame fashion photographers mocking me for using a Nikon D300s?
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I was at a Fashion workshop today and everyone was boasting about how they have full frame bodies and everything. I love my D300s and I'm happy with it. It doesn't make me unprofessional to use a D300s. Yes, I could if I wanted buy a D3s but why? It's heavy, so heavy, expensive to replace and it doesn't take SDHC. The D300s is a dream for me as it takes two storage formats and therefore maximises compatibility IMO. It's a very good camera. What's this whole "My sensor is better than yours" deal? The eye is the best sensor that exists yet it is smaller than full frame…
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It all depends on who was in the workshop with you. Personally, I say that anyone who is still an equipment snob is inadequate in other areas. It's true that you can make larger, cleaner prints with a full format camera, but the people who were talking trash to you are the same ones who would be defending their inadequate sensors if they has to stand next to a room full of people using the Leaf back on a Hasselblad.
I have a D300 and for ME, it is a wonderful camera. I'm not shooting fashion, but when I'm elbow-to-elbow with other photogs at the race track, the ones that KNOW say that they wish they had a cropped sensor instead of their full frames. Capture speed and "crop factor" are all an advantage in this situation. I've made 24x36 prints from the D300, too, and I defy anyone to criticize the image quality. No problem. And yet, on a different day with a different subject, I admit to a bit of FX envy…
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